The mind-boggling complications of high-finance, stock shares and hedging are brought to life in comprehensible laymen terms in ’Enron.’
Focusing on the rise and fall of the corrupt American Energy company that changed the face of business before collapsing to its insolvent knees in 2001, Enron transcends us into the world of finance and the subsequent irregularities business and politics thrive on. Playwright Lucy Prebble expertly redefines this difficult subject matter to simplify how hiding real facts and producing phantom figures is a possible metaphor, or cause, of our current financial plight.
Following the meteoric rise of Enron under the leadership of dynamic Chief Operating Officer, Jeffrey Skilling and his ambitious and eager to please Chief Financial Officer, Andy Fastow, we are given a detailed insight into how Enron attempted to hoodwink the business world by hiding their assets in shadow companies to effectively push the price of shares in their company up.
Though the subject matter is as dry as it is intriguing, director, Rupert Gould invites light entertainment by way of barber shop quartets singing stock market prices, eclectic musical interludes and a dazzlingly choreographed star wars style routine, complete with light sabres, to explain the deregulation of electricity in the California fiasco that left one of America’s best known states in darkness.
Consequentially, the light show in Enron is awe-inspiring, with illuminated rods lining the stage and a giant translucent centre-piece that projects political video footage, is used as the stock market indicator and effectively as a screen for off stage characters to oversee action on stage.
What this all amounts to is a fast paced, informative and part-time witty production chronicling contemporary issues. Samuel West superbly transforms Jeffrey Skilling from a nerdy ideas man into a uber-confident world player before sinking into the desperation of his demise. The stunning Amanda Drew ignites the stage with high-powered sexuality and is shafted in more ways than one by her corrupt counter-part.
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